Showing posts with label Interviews and Encounters. Show all posts
Showing posts with label Interviews and Encounters. Show all posts

Monday, March 13, 2017

Carl Jung and “The Hell of Initiation.”





Introduction: J. P. Hodin, a British art critic and historian, of Czech origin, had studied Jung’s statements about art and creativity, particularly in his essays on Joyce and on Picasso.

Feeling dissatisfaction with Jung’s explanation of his point of view, he requested an appointment to discuss psychology and modern art, and Jung received him at his house in Kusnacht on June 17, 1952.

Hodin’s account of the interview was published in his book Modern Art and the Modern Mind (Cleveland, 1972), in a chapter titled as above, part of which had been included in a lecture, "C. G. Jung and Modern Art," at the Institute of Contemporary Arts, London, in February 1954.

The present version is recast in dialogue form.

J.P. Hodin: (In a small study, its windows opening on the garden and the lake beyond it, Jung awaited me:a writing-desk in one corner, bookcases, a few insignificant pictures of small size in dark frames on the wall— landscapes, figures.

Jung bade me welcome and asked me to be seated in a chair near the window.

He was over medium height, had a strong frame which suggested peasant stock, and walked with a rather heavy gait.

The soundness of his shape was matched by his strong gaze.

His hair and moustache were white, but he seemed younger than his years although he was, he told me, just recovering from one of the illnesses which assail old age.

That is why, when I mentioned in passing an incident from the life of the aged Swiss poet Hermann Hesse, Jung spoke of having many times lately thought of Freund Hein, which is a German expression for death.

But he must have embarked on one of his most ambitious works, the Mysterium Coniunctionis, at about this same time.

He listened attentively to my objections.

When I mentioned that in England his psychology had again and again been attacked as unscientific, he was at first indignant.

(Only later followed an even stream of evidence.)

In comparative anatomy, we speak of morphological phenomena in man, of organs which resemble the organs of animals.

We know, for instance, that man has lived through early stages of development in the course of his evolution.

We know the complete genealogy of the horse dating back millions of years, and on these facts the science of anatomy is founded.

There is also a comparative morphology of psychic images. Folklore is another field of research into motivation.

What I have practiced is simply a comparative phenomenology of the mind, nothing else.

If someone has a dream and we find that dream in identical form in mythology, and if this constantly repeats itself, are we not justified in saying with certainty: We are still functioning in the same way as those who created that mythological image?

Take the Eucharist.

A god is slain, pierced with a spear, is dismembered, eaten.

To this day, the piercing of a loaf of bread with a silver spear is a ritual of the Greek Church. In the Aztec rites, Huitzilopochtli is slain, pierced with a lance.

His body consists of a dough made from the seeds of plants just as the Host is made of white flour, and the pieces are distributed and eaten.

The undivided and the divided God.

Think of the use made of the cross in Yucatan. It is the same as our adoration of the Cross.

Or the myth of Dionysos.

[Jung gave several other examples.]

The psychiatrists, in treating their cases, know that these things happen in the soul of the patients.

There are countless ideas, images of the unconscious, which have been compared to mythological concepts, because they proved to be identical.

There is only one method: the comparative method.

Comparative anatomy, the science of comparative religion. Why not then comparative psychology?

If we draw a circle and divide that circle into four equal parts and think of it as a philosophical idea, and the Chinese does the same thing, and the Indian too—do you think that it is something different when I do it?

Unscientific!

There are only a few heaven-inspired minds who understand me. In America it was William James.
But most people are ignoramuses.

They take no pains to find out the essential things about themselves. It requires too much Latin and Greek!

(I asked him if he had any inclination to interpret works of other modern artists—Paul Klee, for example.

I had just come from Bern, where I had visited Klee’s aged sister and his son Felix and had seen very early works of this artist.)

No. I cannot occupy myself with modern art any more. It is too awful.
That is why I do not want to know more about it.’

At one time I took a great interest in art. I painted myself, sculpted and did wood carving.

I have a certain sense of color.

When modern art came on the scene, it presented a great psychological problem for me. Then I wrote about Picasso and Joyce.
I recognized there something which is very unpopular, namely the very thing which confronts me in my patients.

These people are either schizophrenics or neurotics. Neurotics smart under the problems of our age. T hey smart under the conditions of its time.
Art derives its life from and expresses the conditions of our time. In that sense art is prophetic.

It speaks as the plant speaks of nature and of the earth, of ground and background.

My patients make similar pictures.

When they are in a chaotic state, all forms dissolve. Then panic grips them.

Everything threatens to fall to pieces and we are in a state of panic—though it is an unadmitted panic. What does this art say?
This art is a flight from the perceptible world, from the visible reality. What does it mean, to turn one’s eye inward?

The first thing people see there is the debris of destruction, and the infantilism of their own souls. That is why they imitate the tyro.
People admire the art of the primitives. True, it is art, but it is primitive.
Or one imitates the drawings of children. The schizophrenics do that too.

To the extent that it is a manifestation of a yearning for the primary it may have a positive value. But dissolution demands synthesis.
And I am always concerned with the pile of wreckage, with the ruins of that which has been, with infantile at- tempts at something new.

The fact is we have not yet reached the point when things can be put together. And we cannot reach it yet, because the world is cut in two.
J.P. Hodin: The iron curtain ...A political factor. Has it anything to do with it?

Dr. Jung: I should think it has!

It hangs over our lives like the sword of Damocles. Since 1933 we have witnessed uttermost destruction. First it was the Nazis.
On two occasions they almost got here.

If they had, I should have been put against the wall.

Well, I had settled my accounts with the next world.

If the Russians come we shall have the "pile of wreckage," for even if we are the victors, we know very well that we shall do the same thing as they do and with the same methods.

In America, when they want to cope with the gangsters, they do it with the help of G-men. That means we become like them.
I am pessimistic about the pile of wreckage.

A new revelation from within, one that will enable us to see behind the shattered fragments of infantilism, one in which the true image appears, one that is constructive—that is what I am waiting for.

We have to visualize this image empirically, as at once an idea and a living form, the ground for which has long been prepared historically.

I have always pointed it out.

The alchemist called it the Round. It is the idea of completeness.

The Chinese call it Tao—the unity of opposites in the whole.

Psychologically seen, the process takes place in the center of the personality which is not the "I," but another center, the greater man in us.

For this, too, the ground has been prepared psychologically.

I see it as form, or, if you like, as an idea.

Except that an idea without living form is merely intellectual. My idea which is also form is like a man who has a body.
If he has no body, we should not see him.

It must be visible form and idea at the same time.

J.P. Hodin: Do you consider science to have had a negative influence on modern man?

Dr. Jung: Science is only one source of evil.

Besides science there are technology, religion, philosophy, art. Modern art preaches the same fatality.
The destructive role of the intellect, of rationalism, not only of science, must share the guilt.

Everything that should represent the irrational and fails to do so is responsible. "La Deesse raison a ses raisons" [the goddess of Reason has her own reasons].
This doctrine took the stage as a mass movement in the French Revolution, and it is the same revolution which we are still experiencing, because we have raised Reason to a seat above the gods.

J.P. Hodin: (What Jung meant by this, I felt, was not God or gods as objective realities.

As a psychologist all he says is that God is an archetype of what is to be found in the soul of man and which may be called the image of God. I misunderstood him intentionally in order to make him express himself more specifically, and suggested that modern man could not reconcile himself to dogmas, and that this was understandable if viewed historically.)

Dr. Jung:

Dogmas would be all right.

They are symbols.

One could not do it better.

But the theologians rationalize them.

We only interpret it psychologically, this drama of the Heavens. Theology is one of the causes of soullessness.

Science, because it claims exclusiveness; the priest, when he subordinated himself to the intellect; art, which has all of a sudden lost its belief in beauty and looks only inwardly where there is nothing to be found but ruins, the mirror of our world: they all want to descend into the realm of the mothers without possessing Faust’s key.

In my own way I try to get hold of key and to open closed doors with it. Carl Jung, C.G. Jung Speaking: Interviews and Encounters, Pages 219-224

Carl Jung on the World cut in two.




The fact is we have not yet reached the point when things can be put together. And we cannot reach it yet, because the world is cut in two.
J.P. Hodin: The iron curtain ...A political factor. Has it anything to do with it?

Dr. Jung: I should think it has!

It hangs over our lives like the sword of Damocles. Since 1933 we have witnessed uttermost destruction. First it was the Nazis.
On two occasions they almost got here.

If they had, I should have been put against the wall. Well, I had settled my accounts with the next world.

If the Russians come we shall have the "pile of wreckage," for even if we are the victors, we know very well that we shall do the same thing as they do and with the same methods.

In America, when they want to cope with the gangsters, they do it with the help of G-men. That means we become like them.

I am pessimistic about the pile of wreckage.

A new revelation from within, one that will enable us to see behind the shattered fragments of infantilism, one in which the true image appears, one that is constructive—that is what I am waiting for.

We have to visualize this image empirically, as at once an idea and a living form, the ground for which has long been prepared historically.

I have always pointed it out.

The alchemist called it the Round. It is the idea of completeness.

The Chinese call it Tao—the unity of opposites in the whole.

Psychologically seen, the process takes place in the center of the personality which is not the "I," but another center, the greater man in us.

For this, too, the ground has been prepared psychologically. I see it as form, or, if you like, as an idea.

Except that an idea without living form is merely intellectual. My idea which is also form is like a man who has a body.
If he has no body, we should not see him.

It must be visible form and idea at the same time. Carl Jung, C.G. Jung Speaking: Interviews and Encounters, Pages 219-224

Carl Jung on if his work is “Scientific.”




In comparative anatomy, we speak of morphological phenomena in man, of organs which resemble the organs of animals.

We know, for instance, that man has lived through early stages of development in the course of his evolution.

We know the complete genealogy of the horse dating back millions of years, and on these facts the science of anatomy is founded.

There is also a comparative morphology of psychic images. Folklore is another field of research into motivation.
What I have practiced is simply a comparative phenomenology of the mind, nothing else.

If someone has a dream and we find that dream in identical form in mythology, and if this constantly repeats itself, are we not justified in saying with certainty: We are still functioning in the same way as those who created that mythological image?

Take the Eucharist.

A god is slain, pierced with a spear, is dismembered, eaten.

To this day, the piercing of a loaf of bread with a silver spear is a ritual of the Greek Church.

In the Aztec rites, Huitzilopochtli is slain, pierced with a lance.

His body consists of a dough made from the seeds of plants just as the Host is made of white flour, and the pieces are distributed and eaten.

The undivided and the divided God.

Think of the use made of the cross in Yucatan. It is the same as our adoration of the Cross.

Or the myth of Dionysos.

[Jung gave several other examples.]

The psychiatrists, in treating their cases, know that these things happen in the soul of the patients.

There are countless ideas, images of the unconscious, which have been compared to mythological concepts, because they proved to be identical.

There is only one method: the comparative method.

Comparative anatomy, the science of comparative religion. Why not then comparative psychology?

If we draw a circle and divide that circle into four equal parts and think of it as a philosophical idea, and the Chinese does the same thing, and the Indian too—do you think that it is something different when I do it?

Unscientific! Carl Jung, C.G. Jung Speaking: Interviews and Encounters, Pages 219-224

Carl Jung and “The World of James Joyce.”




Introduction: The English writer Patricia Hutchins set out to explore James Joyce’s background in Ireland and in the Continental cities where he lived.

In Zurich, she interviewed Jung at his house in Kiisnacht, on a date not readily evident, but probably in late 1954.

Miss Hutchins described her encounter with Jung in her book James Joyce’s World (London, 1957), pp.181
-84.

The passage as given here is slightly abridged, to omit a digression on other literary matters.

Patricia Hutchins: We could only arrange a meeting in the evening.

Thus I went out to the village of Kusnacht and made my way down a long, villa-edged road.

Going through white gates, at the end of a short avenue of trees I could see a lit doorway in the dark tower- shape of a house.

Soon a girl took me to a small ante-room on the first floor.

Indian dolls and toys were in glass presses and among books and papers on the table was a recent issue of Punch.

Downstairs someone whistled and a deep clock struck six across the atmosphere of quiet and good order there.

As I was ushered into a large library, over parquet and Indian carpets, there was only a standard lamp in a corner by the window so that furniture and pictures were indistinguishable.

Dr. Jung rose and shook hands, a bulky figure with a pleasant voice, and I sat down on a comfortable seat opposite him.

By some effect of the light behind his chair, or the angle of his glasses which enlarged the pupils, a curious distortion gave his look the full-powered concentration of a child or an animal.

It was so distracting that I shifted my position and it became more usual again.

We talked first of all of my study of Joyce’s background, and Dr. Jung’s brief glimpse of Ireland from a liner stopping at Cobh on the way back from America.

I mentioned Joyce’s years in Zurich during the First World War and how Mrs. Rockefeller McCormick’ had helped Joyce financially for a time and then abruptly ceased to do so.

"It has been suggested," I said, "that you were in some way involved, and that perhaps Joyce had offended the lady by refusing to be analyzed?"

"Well, now you tell me the story I may well have been, in an indirect way."

Dr. Jung explained that Joyce’s name was then unknown to him and he had not met the writer personally until much later, when Joyce, whose daughter was then in a sanatorium, asked for a consultation.

Yet he recollected that before 1920 Mrs. McCormick mentioned she was supporting both an author and an- other artist at that time.

She was much troubled by the fact that the latter did not work.

Dr. Jung hesitated to tell her to cease these payments, but when the artist himself became his patient and told him of a recurrent dream in which he was bleeding to death, he advised Mrs. McCormick to end an intolerable situation, with most satisfactory results.

Although Dr. Jung was not informed, she may well have decided to have done with Joyce and the manuscript of Ulysses as well.

"In the thirties I was asked to write an introduction to the German edition of Ulysses," he told me, "but as such it was not a success.

Later I published it in one of my books.

My interest was not literary but professional. . . . The book was a most valuable document from my point of view; I expressed this, as you know."

"You said that the experiences related were part of ’the cold shadow-side of existence"—I do not think that Joyce cared about that."

"The peculiar mixture and the nature of the material as presented is the same as in cases of schizophrenia, but dealt with by an artist.

The same things that you find in the madhouse, oh yes, definitely, but with a plan.

I wrote and apologized to the publisher for not being able to provide what he needed for the edition."

When Joyce approached the psychologist professionally in 1934, Jung had put the article and his apology for it out of his mind, but Joyce would hardly have done so.

"Certainly he seemed very restrained," Dr. Jung said when I mentioned this.

"Yes, now I remember it, during the hour or so while we talked of his daughter, it was impossible not to feel his resistances.

The interview was correspondingly uneventful and futile. His daughter, on the contrary, was far more lively.
She was very attractive, charming—a good mind.

And her writing, what she did for me, had in it the same elements as her father’s. She was the same spirit, oh they cared for each other very much.
Yet unfortunately it was too late to help her."

The neurotic, like the child, is often very absorbent of the atmosphere created by those around him, especially when it in some way involves himself.

A remark disparaging the Doctor—"How could he know what is going on in my pretty little head"—purported to have been made by Lucia, suggests that no real rapport was possible between them.

_"Finnegans Wake?"

Dr. Jung „replied to my query. "I read parts of it in periodicals but it was like getting lost in a wood. Oh no, I could not manage it. Ulysses yes, but still
I do not understand why so many people read it, so many editions have been published."’

"Well, surely they needed certain things to be said.

In the twenties people wanted to read in print what they could not express themselves, about life, sex. . .
.

That generation was freeing itself from so much; we hardly understand its situation now.

Then it seems to me that many problems inherent in Joyce’s work are also those of the present-day world, in particular the adjustment of personal relations to science, the question of over-population. . . ."

"Yes, yes, that is the great problem, all over the world.

I have been in India and seen the under-nourished people, the thousands, thousands born there. There is the important question of food, of food production.

How are they all to be fed?" ’

Dr. Jung enlarged on this theme in a flow of sentences, one upon another, and with that quick, unsought illustration which characterizes his prose.

As he stood up to go I was aware of his fresh, full face, and that there was a particular attractiveness about the man by his very largeness and health of mind.

"I am glad," he concluded, "that I do not have to face the difficulties of the future. I shall be eighty in July 1955, you know.
They are so very great indeed."

"Well, I think you have done your share in helping other people—enough for one lifetime. We’ll have to try and find a way out anyway."
"Yes, yes."

As I got my coat from the ante-room I knew that by long habit he was watching, assessing me.

With more care than usual, as if to make a good impression, I turned off the light and shut the door. "Is this an old house?”
I asked, to fill the gap before saying goodbye.

"No, but built after an ancient style." He smiled. "I am, you know, a conservative."’ Carl Jung, C.G. Jung Speaking: Interviews and Encounters ,Pages 239-243

Carl Jung and “Horns Blowing, Bells Ringing” by Claire Myers Owens




Introduction: An American writer on psychology, Claire Myers Owens, visited Jung on July 24, 1954, and wrote up the experience for a contest feature, "Tourists Abroad," in the Paris edition of the New York Herald Tribune.

Her article was the winning entry for Aug. 12, 1954.

Claire Myers Owens: Nervously, I pulled the bell at the home of the Grand Old Man of Switzerland.

It was a large old-fashioned house directly on the beautiful Lake of Zurich, with the snow-topped Alps in the dim distance, and a vegetable garden in front.

As the maid admitted me, I feared that my awe of his world-wide fame would make me tongue-tied. My fears were groundless.
A large, tall man with very pink cheeks and an appearance that belied his 80 years entered and greeted me.

We sat in his library overlooking the flower garden and the blue lake with its many boats. He was friendly, jovial, startlingly frank.
For an hour and a half, we discussed his analytical psychology, Freud, his early struggles, religion and the role of evil, politics and the psychological origin of the "-isms," the maternal woman and the grande amoureuse, his collected works now being published in the United States in 18 volumes, "self-realization," the cause and cure of neuroses, and
how to find the meaning of life.

I said I had a chapter on him in the book’ I was writing—but how could I endure it if the book were not accepted?

He said, write the truth, and expect to be misunderstood, and take the consequences. That was what he had been doing all his life.
People feared truth.

Suddenly, we heard horns blowing, bells ringing. The maid rushed up in great excitement.

He said: "Nein! Nein!"

Then his daughter called up from the garden below. "They" wanted to see him.
murmured: "Nonsense!"

She begged him to come out on the balcony. He stepped out.
So did I.

A large lake steamer had stopped.

Its two or three hundred passengers were waving wildly. Finally, he waved back—once.

It was the International Congress of Psychotherapists,’ and their ship had stopped in order that they might have a glimpse of the greatest of all psychotherapists—Prof. Carl

G. Jung., Carl Jung, C.G. Jung Speaking: Interviews and Encounters, Pages 237-238

Carl Jung on "Men, Women, and God"




MEN, WOMEN, AND GOD

Introduction: The popular English journalist Frederick Sands, then foreign correspondent for the London Daily Mail, interviewed Jung at Kusnacht and published the results as five successive articles in the Daily Mail, April 25-29, 1955.

Jung had read and approved the text of the interview. Sands’s articles were headed with provocative sentences drawn from Jung’s words—"To Call Women the Weaker Sex is Sheer Nonsense," "You Must Quarrel to Be Happy," etc.

On September Io, 1961, three months after Jung’s death, the material of the first two articles was rearranged and published under the title "The Trouble with Women" in the Sunday magazine sections of several American papers—the Washington Post, the New York Journal, the American Weekly, and others.

Dr. Jung: A man’s foremost interest should be his work.

But a woman = man is her work and her business.

Yes, I know it sounds like a convenient philosophy of the selfish male when I say that. But marriage means a home.
And home is like a nest—not enough room for both birds at once.

One sits inside, the Other perches on the edge and looks about and attends to all outside business. The vanity of men is in most cases a result of their professional activities.
The extent it reaches is sometimes almost grotesque.

Most men are afraid of something and are full of prejudices—which are not there in the case of most women. Men are inclined to resent any interference with their way of thinking and their hidebound convictions.

This is especially the case with their manly prestige, which they feel they have to guard even when it is not threatened.

They may be afraid that they are ill—or of being told that they are ill; they may have financial or some other suppressed worries.

But more often than not they are suffering merely from—fear.

Men almost invariably are not honest, either with themselves or with me.

So many women are just crying out for a better understanding with their husbands.

Their men are incapable of grasping this—which is not strange since men do not understand women anyway. But women are unable to realize that in business their husbands are not the monarchs of all they survey.

As often as not they are underdogs who have to put up with a great deal—a bullying boss, for instance. And the best remedy for that is a woman’s understanding.
After a day at business in such uncongenial circumstances—having to be pleasant to people he doesn’t like—a man comes home in the evening wanting to bang someone over the head.

Instead he is expected to continue the torture by being very nice to his wife.

A woman, of course, has also had her day’s worries with the children and the household.

She would like to talk about them.

She is, in fact, just in the mood for a chat. But her husband is tired and taciturn.

The average woman cannot visualize a man’s problems.

His secretary understands her boss better than his wife does.

I have never said so much to anyone in an interview before. Probably I shall find myself in trouble—especially with the women—for some of the things I have said.

Women are much tougher than men underneath. To call women the weaker sex is sheer nonsense. Beware those angel-faced types who always appear weak and helpless and talk in a high-pitched voice. They are the toughest of them all.

Be cautious and prepared for anything with quiet women.

The old proverb says "Still waters run deep"—and that’s particularly so in the case of women.

I know it sounds malicious, but quiet women usually have some surprises in store for us once we start delving beneath the surface.

Talkative women should not be taken at their face value. Often their talk is only a blind.
Many people talk too much because they do not want to discuss essential things. Women who talk most think least.
Women will call me cynical and dislike me for being so frank. It is women’s instinct to capture and hold one man.

It is man’s instinct to get as many women as possible.

Man tries not to be caught, at least for as long as he can readily Cluck his pursuer. That is the instinct of the fast-running animal: escape by flight.
A woman’s best prey is the man that no other woman has been able to catch.

To catch a man that any woman could have caught—that makes the prize relatively valueless.

But once she gets her man, woman holds him in a strong grip and makes sure that no other women are in the offing.

That is natural and necessary, for it is man’s nature to alight here and there and then take flight again—if he can.

I have terrible trouble making people see what I mean!

Every psychological statement is also true when it is turned round to mean the opposite. That is complicated—but that is nature.
There are, for instance, any number of quite virile men who have a certain idea of the woman they want; they make a beeline for that woman and are never troubled by any other women.

Such men generally get a wife they have to watch, for they are not the kind to stay inside the nest.

And if they are not careful they may find the female, perched outside, flying off on occasional sorties of her own.

A woman is at her best only when she loves a man.

Personal relationship is her basic need and when that ’falters she grows dissatisfied and argumentative in a way that often leads to divorce.

But this certainly doesn’t mean that men and women should remain placid.

On the contrary, some tension must prevail in their daily lives, for otherwise there cannot be the ideal relationship in sex—and this is a "must" between husband and wife.

I once had an "ideal-looking couple" who came to consult me. Something had gone wrong.

When I looked at them I wondered what could have brought them to me.

They appeared perfectly suited to one another in every way and, as I soon discovered, they were blessed with all the material things life could offer.

But eventually I found that the real trouble was that they were too well suited. This prevented any tension existing in their intimate relations.
They coincided so much that nothing happened—a situation as awkward as the opposite extreme of total in- compatibility.

Look at it in terms of everyday life.

Is a conversation likely to be in any way interesting when you know beforehand that your partner will agree with everything you say?

What is the use of discussing a conviction already shared and accepted as a matter of course?

The incentive to discussion dies—there is no potential.

When you know that your opinion agrees with your partner’s, there is no point in mentioning it at all. So what does there remain to talk about?
It is far more interesting and productive to discuss something about which different views are held.

I do not particularly enjoy a discussion in which everybody agrees with me—there is no obstacle to overcome, no tension, no productive flow.

Difference of opinion can be fruitful; so can quarrels fiery are in the way of getting together, and one has to make an effort to surmount them.

Mentally, morally, physically: in ail these ways Nature, has created an extreme difference between man and woman, so that he finds his opposite in her and she in him.

That creates tension.

If man and woman were the same, that would be stalemate. The earth would be sterile.

Where the land is flat there is no flow of water; it has nowhere to go; it stagnates. In order to produce energy you must have opposites—an above and a below.

There must be a difference in level, and the greater it is the swifter and more forcefully does the water flow. To me a particularly beautiful woman is a source of terror.

A beautiful woman is as a rule a terrible disappointment; you cannot have your cake and eat it. In men, beauty and brain are seldom found together.

The brain of a highly attractive man of handsome physique becomes merely the appendage of his wonderful torso.

At my country retreat I do as I please.

I write, I paint—but I spend most of the time just drifting along with my thoughts.

It seems to me we have reached the limit of our evolution —the point from which we can advance no further.

Man started from an unconscious state and has ever striven for greater consciousness.

The development of consciousness is the burden, the suffering, and the blessing of mankind.

Each new discovery leads to greater consciousness, and the path along which we are going is merely an extension of it. This inevitably calls for greater responsibility and enforces a great change in ourselves.

We must draw conclusions from what we know and discover, and not take everything for granted. Man has come to be man’s worst enemy.

It is a clash between man and God, in which man’s Luciferan genius has produced in the H-bomb the power to destroy more effectively than any ancient god could.

We must begin to learn about man until every Jekyll can see his Hyde.

The strains and stresses of twentieth-century living have so affected the modern mind that in many countries children are no longer able to concentrate.

Here in Zurich the schoolteachers of the upper part of the lake asked me why it is that they are no longer able to carry out the full curriculum.

The children, they said, seemed unable to concentrate.

I told them that the fault lay with the cinema, the radio, television, the continual swish of motor-cars and the drone of planes overhead.

For these are all distractions.

The same distractions affect adults as well.

You cannot go into a hotel or a restaurant and carry on an intelligent conversation over a meal or a cup of tea because your words are drowned by music.

Some time ago I was in a New York hotel and wanted to have a discussion with an American professor.

It was impossible—we gave it up.
I have nothing against music at the proper time and place, but these days one can’t get away from it.

I have just returned from the Ticino, in Italian Switzerland, where they love music.

But when they turned on the radio in the restaurant I got so exasperated that I pulled out the plug. Jazz and all that sort of stuff is silly and stultifying.

But it is even worse when they play classics in such a place. Bach, for instance.
Bach talks to God.

I am gripped by Bach.

But I could slay a man who plays Bach in banal surroundings. Cocktails and all they stand for are just as bad.
They simply kill all sensible conversation.

Why, most of the people who go in for cocktail drinking are only able to keep up a decent conversation after the third.

Worst of all is television.

Without knowing it man is always concerned with God.

What some people call instinct or intuition is nothing other than God.

God is that voice inside us which tells us what to do and what not to do. In other words, our conscience.

In this dark atomic age of ours, with its lurking fear, man is seeking guidance.

Consciously or unconsciously he is once more groping for God.

I make my patients understand that all the things which happen to them against their will are a superior force.

They can call it God or devil, and that doesn’t matter to me, as long as they realize that it is a superior force.

God is nothing more than that superior force in our life. You can experience God every day.

There are for instance, the "strange recurrences" that happen in the lives of certain individuals.

Many patients come to see me about them.

They want, quite naturally, to know why these things recur, whether the cause lies in themselves, and whether there is anything they can do to end it.

These recurrences may be so conspicuous that—especially if they are unpleasant—the person concerned may begin to feel himself the victim of some sinister form of
persecution.

We must make a clear difference between this and the persecution mania of an unhinged mind. The occurrences are often quite genuine and not merely imagined.
Once I was walking in the garden of my house with a lady who had consulted me.

She had told me, among other things, that whenever she was in the country she was attacked by birds—black birds.

Hardly had we got away from the house than several crows approached and swooped down on us, fluttering about and cawing angrily.

They left me alone, but kept on flying at my patient.

One of them even nipped her on the back of the neck before I drove them off. Another strange case: I treated three daughters and their mother.
The three young women kept on having terrible dreams about the elder lady, who was a model mother. They dreamt of her as a wild animal.
Years later she became prone to fits of melancholia in which she acted like a wild beast. The fact is that what happens to a person is characteristic of him.

He represents a pattern and all the pieces fit.

One by one, as his life proceeds, they fall into place according to some predestined design.

All that I have learned has led me step by step to an unshakable conviction of the existence of God.

I only believe in what I know.

And that eliminates believing.

Therefore I do not take His existence on belief—I know that He exists. Carl Jung, C.G. Jung Speaking: Interviews and Encounters, Pages 244-251

Carl Jung: ...whenever she was in the country she was attacked by birds—black birds




Once I was walking in the garden of my house with a lady who had consulted me.

She had told me, among other things, that whenever she was in the country she was attacked by birds—black birds.

Hardly had we got away from the house than several crows approached and swooped down on us, fluttering about and cawing angrily.

They left me alone, but kept on flying at my patient.

One of them even nipped her on the back of the neck before I drove them off. Carl Jung, C.G. Jung Speaking: Interviews and Encounters, Pages 244-251

Carl Jung and “Four Contacts with Jung.”




Carl Jung and “Four Contacts with Jung.”

Introduction: Michael Fordham, the leading medical analyst among British Jungians and co-editor of the Collected Works, edited Contact with Jung (London, 1966), a collection of "essays on the influence of Jung’s work and personality" by forty-two of Jung’s pupils in Europe, England, America, and Israel.

Excerpts from four vivid and immediate recollections, dating from the late 1930’s to the late 1950’s, have been chosen. (The selections from Charles Baudouin’s journal for 1945 and 1954, in the present volume, were also included, in French, in Contact with Jung.)

A. I. ALLENBY (OXFORD):

I first got in touch with Jung after the end of the second world war.

I then wrote to him, and told him who I was and what I was doing, which included writing a thesis on the psy- chology of religion.

With his reply Jung sent the manuscript of his article on the Trinity’—a new version which had not yet appeared in print.

This was generous indeed, and an endearing token of encouragement for the complete stranger that I was to him then.

Only about a month before his death I again received a letter from Jung, in reply to one of mine, in which he went with great care into all the questions I had raised.

It ended with these words: "My best wishes for any further discoveries you may make."

This is the first characteristic one encountered in Jung: his respect for the other person, whoever he or she might be, and his concern for the individual value in anyone.

When I first went to visit him at Kusnacht, I was full of apprehension as to how I should fare in meeting the great man—but the moment I entered his intimate little study I felt completely at ease.

Once he wanted me to understand that one should not feel guilty about events which happen on their own account.

"They are just like acts of God," he said.

"Think of it as if a building had been hit by lightning; that, also, is an act of God.

There was a church in a Swiss village which had been damaged by lightning, and the pastor went round the village to collect money for the repairs, and one shrewd old
peasant said to him: ’What—you are not going to make me give you anything, if he destroys his own house!’ That man had got it right," Jung said and laughed.

On another occasion Jung explained to me what happens when one mistrusts one’s feelings and refuses to act on them.

"You can see from the window my boathouse down by the lake," he said.

"Some time ago I went for a swim and then lay on the balcony of the boathouse to sun myself. The level of the lake was so high that the boathouse was surrounded by water. There came my dog in search of me. He could not see me, and was not sure whether I was there. Being of a somewhat cowardly disposition and not very fond of the wet, the dog first put one paw into the water, then withdrew it, and then another paw and withdrew it, too. And this went on for some time.

Eventually I made the faintest little noise, and the dog shot through the water and up the steps of the boathouse in one jump. The dog is conditioned by instinct and has no will-power of his own, except when a little noise from his master releases it."

Jung, of course, wanted to convey to me, although he left it to me to draw the conclusion, that a person who mistrusts his own feelings or thoughts and does not utilize his will to put them to the test is hardly distinguishable from an animal; as a conscious human being he hardly exists.

Another time Jung reverted to the problem of self-doubt, using a further example by way of illustration. "Our needs and desires are always active," he said.
"Trouble occurs only if they are active in the unconscious, if we do not take them consciously in hand so as to give them a definite form and direction.

If we refuse to do this we are dragged along by them and become their victim. Then they are like a
sledge rushing downhill in the snow, with no one at the steering-ropes. You must place yourself firmly at the steering- ropes, not hang on at the back or, worse, be unwilling to take the ride at all—that only lands you in panic. Our unconscious energies give momentum to our journey through life and, if we direct their course, our actions will have strength; we may even sense that God is behind us."

He told me that he once met a distinguished man, a Quaker, who could not imagine that he had ever done anything wrong in his life.

"And do you know what happened to his children ?" Jung asked.

"The son became a thief, and the daughter a prostitute.

Because the father would not take on his shadow,his share in the imperfection of human nature, his children were compelled to live out the dark side which he had ignored."

I remember Jung stating on one occasion:

"Every human being is inherently a unique and individual form of life. He is made like that. But there is something which man can do over and above the given material of his nature, and that is he can become conscious of what makes him the person he is, and he can work consciously towards relating what is himself to the world around him. And," Jung added reflectively, "this is perhaps all we can do."

Another time he said to me, as if he were speaking to himself: "This is how you must live—without reserva- tion, whether in giving or withholding, according to what the circumstances require. Then you will get through. After all, if you should still get stuck, there is always the enantiodromia from the unconscious, which opens new avenues when conscious will and vision are failing."

KENNETH LAMBERT (LONDON):

One way to express a personal debt to Jung is to recall certain personal experiences of him in action as a per- son at certain points of time, communicating his experience to another person—as compared with him as a theoretician.

I have two such memories.

The first was of him in London in 1939, when he answered questions put to him by a group of doctors, psychotherapists, and clergymen, including a bishop.

The result was a series of communications on "The Symbolic Life," and the poverty and neurotic potential of individuals and groups for whom such an experience was meaningless.

At that time Jung’s personal exuberance and physical size were noticeable, and we last saw him marching out, with a certain playful humor, arm-in-arm with the gaitered bishop—arm-in-arm, although communication on the subject of the symbol had not greatly advanced between them.

Eleven years later Jung gave me half a morning for a personal interview.

He spoke with a spontaneous frankness and an unashamed sense of paradox.

He remembered the group and the bishop, and asserted that the theologian is now passe, owing among other things to his inability to understand projection.

But, he added, "Always I have a feeling of compassion for the clergyman. He has a devil of a problem."

He had, of course, participated in this, for he spoke with feeling for his father "with all his intelligence, who had to be helpless over all this—so restricted and out of touch with nature and the dreams."

Indeed, the intensely personal and historical basis of Jung’s scientific motivation revealed itself as he showed

me photographs of his grandfather the doctor and of his father the pastor—high-foreheaded and sensitive in facial expression.

"I had the whole problem of the father to solve," he said, "I am always unpopular—with the theologians and with the doctors. I am always mettant mes pieds sur le plat. The medical chaps have no intelligence," he added.

"They work too much from the outside, whereas everybody’s psychology is making careful plans to get them into a state in which they have to face themselves, and the shadow. It’s their chance to realize the self. If you can get them out of their hole by giving them a kick in the pants you’ve cheated them of their birthright."

The same feet were put on the priest’s plate.

For he emphasized how Christianity forces people to meet the shadow, and he outlined an argument he had worked at to show that St. Thomas Aquinas really believed that the world was created by the Diabolus.

Jung’s own sense of the difficulty made him tell a rabbinical story of how God wanted to make a world with his mercy and his justice.

The trouble was that if he used his mercy there would be too many sins, and if he used his justice you couldn’t live. So he mixed both of them up and said: "Oh, how I wish there would be a world."

Jung roared with laughter, and went on to mention the symbolism attached to Christ, indicating opposites in his nature, as, for instance, the Leviathan, the Lion, the Serpent, the Black Raven, and his crucifixion between two thieves.

Then the symbolism became astrological.

Jung stated that, at the birth of Christ, Saturn the maleficent god and Jupiter the beneficent god were so near to each other that they were almost one star, that is, the star of Bethlehem, when the new self, Christ, good and evil, was born.

Jung then associated to this by telling two stories about people.

A man told Jung about a Quaker who seemed a perfectly good man. So where was his shadow?

Jung asked about his wife. Apparently she was perfect, too.

His children? "Oh," said the inquirer, "one of them is a thief." In Jung’s words, "He went out wagging his tail."

The second story concerned a theologian without a shadow, but it turned out that his son was "getting into the way of forging checks." J

ung’s comment was, "The son assumes the father’s shadow. His father was stealing, you see, from God his sins.

The son was punished for the father’s sins not rendered to God." RENEE BRAND (SAN FRANCISCO):
The year was 1955, in the fall.

We were stepping from the living-room where tea had been served into the garden of 228 Seestrasse in Kusnacht.

Ten students from the Institute had been delegated to celebrate with Jung the planting of a Ginkgo biloba tree given to him for his eightieth birthday.

We stood in a semicircle by the place chosen for the tree while two gardeners started digging the hole.

Between them they fell into an alternating rhythm, accentuated by the spades breaking up the earth and the thud of throwing it out.

Jung was giving directions about the width and breadth of the hole, concerned that the roots should get enough space.

As I looked at him in the outdoor light of the afternoon, he suddenly seemed less sturdy, his frame less powerful— different than in his study at my recent visit, or even a few minutes ago at tea.

He looked all of his eighty years and very frail, with the frailty of old age.

With the shock of this realization, a sinister crescendo seemed to get into the rhythm of spades going in and earth thumping down.

Irrationally, it seemed that this hole was not for planting a tree, that these were not gardeners, they were grave-diggers.

The feeling about death was so strong that the scene became unbearable, and I stood in utter helplessness, wishing and praying for it all to stop.

Suddenly I heard Jung saying: "This has nothing to do with death. They are planting new life." He was looking straight in front of him, addressing no one.

Having my unspoken thought picked out of my head and answered was so startling that the irrational panic turned into a numinous experience.

ELIZABETH OSTERMAN (SAN FRANCISCO):

The heavy wooden door on which I had just knocked was set in a thick stone wall which seemed solidly part of the earth.

This was the entryway to the medieval-looking, secluded country place which Jung had built by hand through the years at Bollingen on the shore of Lake Zurich.

On my way to the Aegean Islands on this first trip away from the western United States, I had stopped in Switzerland for this visit.

Leaving the highway some distance from the town of Rapperswil, I had traversed a footpath which skirted a dense wood at the rear of a complex of walls and stone towers.

A few feet away to my left the lake water lapped among the reeds.

The July sun warmed the rain dampened earth, and a soft haze covered the distant mountains.

As I stood waiting before the door I was somewhat nervous, but was reassured by sounds of wood-chopping coming from behind the wall.. . . Now the door opened, and I was invited into the inner garden by his household companion.

There, beyond a second doorway, was the strong-bodied, white-haired, eighty-three-year-old man in his green workman’s apron, seated before the chopping block.

Behind him was a large square stone carved by him in earlier years when he was attempting to give form to his emerging realizations.

I felt as though I had stepped out of time and had entered into an inner world where everything was relevant, unhurried, natural.

At the water’s edge we settled into comfortable chairs, and through that afternoon the conversation wandered back into the prehistory of the earth, into the depths of the psyche, into the wonders of nature around us.

Once I looked at my watch and he said, "Never mind a watch; I’ll tell you."

He returned frequently to the theme of what man is doing to himself by living in a fast and meaningless way, how he has become estranged from himself.

With immediacy and great simplicity he said: "We must give time to nature so that she may be a mother to us. I have found the way to live here as part of nature, to live in my own time. People in the modern world are always living so that something better is to happen tomorrow, always in the future, so they don’t think to live their lives. They are up in the head. When a man begins to know himself, to discover the roots of his past in himself, it is a new way of life."

The force that emanated from this man sitting beside me was amazing. He seemed at once powerful and simple; real, the way the sky and rocks and trees and water around him were real.

He seemed to be all there in his own nature, but what made it so exciting was his awareness of it.

A knock on the door broke into the conversation; the taxi man had arrived.

Jung remarked, "That says it." It was time to leave. Carl Jung, C.G. Jung Speaking: Interviews and Encounters, Pages 156-163

Dr Jung: Comments on Ira Progoff’s Doctoral Thesis.




Introduction: Toward a Ph.D. degree at the New School for Social Research, New York, in early 1952, Ira Progoff submitted as his thesis a presentation of Jung’s psychological theories and an interpretation of their significance for the social sciences.

This was, most probably, the first serious notice of Jung’s work by a social scientist.

Progoff sent his manuscript to the Bollingen Foundation, which was about to begin the publication of the Collected Works of Jung, and it came to the attention of one of the Foundation’s advisers, Cary F. Baynes, an old friend of Jung’s.

Recognizing the significance of Progoff’s monograph, she sent the thesis to Jung to read and asked her daugh- ter, Ximena de Angulo, who lived in Switzerland and had known Jung since her childhood, to facilitate matters by taking down Jung’s comments.

Miss de Angulo sent Progoff her report of the interview—as the discussion turned out to be—and he took ac- count of Jung’s remarks in revising his thesis for eventual publication as a book: Jung’s Psychology and Its Social Meaning (1953)

Progoff, who had been a welfare worker while studying at the New School, was enabled through a Bollingen Fellowship to go to Switzerland in 1953.

He met Jung for discussions and attended the Eranos Conference in August, where he came under the influ- ence of the Zen scholar, D. T. Suzuki.

Out of his experiences he wrote The Death and Rebirth of Psychology (1956).

In 1966, Progoff founded Dialogue House, of which he is director, and which fosters a program for personal development through the "intensive journal" process.

A copy of Ximena de Angulo’s interview was placed in the archives of Bollingen Foundation, where it was found nearly twenty years later and made available for publication in the present collection, with the permission of Miss de Angulo and Dr. Progoff. It is published in full, except for the deletion of page numbers in the thesis, as these have no systematic relationship to the revised book.

Ira Progoff: The interview took place in the summerhouse at the bottom of the garden.

We each had a copy of the thesis, and I had brought along pad and pencil so as to be able to take notes.

As a starting question I asked Jung if he thought the thesis merited expansion into a book, and he said with- out a moment’s hesitation: "Oh, yes, most definitely."

He went on to say that as it stood, its most obvious shortcoming was a certain onesidedness, that it told "only half the story."

"You see, I am not a philosopher. I am not a sociologist—I am a medical man. I deal with facts. This cannot be emphasized too much,"
This, in a way, turned out to be the leitmotiv of the interview; he recurred to it again and again.

I received the impression that what bothered him about the work was that it was phrased as though he had had social theories in mind from the beginning.

I pointed out that in a thesis designed to prove the relevance of his ideas to the social sciences that had per- haps been unavoidable.

He said yes, yes, that was probably so; but it was clear that he attaches the greatest possible importance to accentuating his standpoint as a medical man, as an empiricist who discovers certain facts and erects hypotheses to explain them, but who is not responsible for the implications, philosophical or otherwise, that may be drawn from his statements.

He said that he was all the time being accused of making philosophical statements, because he made use of philosophical concepts, and because he didn’t shy away from making his assumptions clear, but that his statements were not intended as philosophy, they were intended as descriptions of fact.

"I am not particularly well read in philosophy. I simply have had to make use of philosophical concepts to formulate my findings."

He went on to say that he thought the derivation of these philosophical concepts should be clarified.

"My conceptions are much more like Carus than like Freud."

Kant, Schopenhauer, C. G. Cams, and Eduard von Hartmann "had provided him with the tools of thought."

He had read their works when young, perhaps as early as his sixteenth year, at any rate well before the begin- ning of his medical studies, and they had influenced his thinking decisively.

"To Schopenhauer I owe the dynamic view of the psyche; the ‘Will’ is the libido that is back of everything."

It is a force outside consciousness, something that is not the ego.

Kant had shown that the world is tied to the "I," to the thinking subject, but here was this non-ego, this "Will" that was outside the Kantian critique.

When Jung came to study the dissociation of consciousness observable in schizophrenia, where people talk under the influence of something other than the ego, this non-ego struck him as the same thing as Schopenhauer’s "Will."

"The great question was, is there a non-ego, is there something that can pull me out of the isolation-in-the- ego of the Kantian world picture?"

It is correct that Burckhardt and Nietzsche influenced him; however, they were indirect, "side influences," Jung said.

They were part of the atmosphere of Basel at the time he was growing up, though Nietzsche had already left the city then; "Burckhardt was our daily bread. I used to see him every day, going to his work."

Everybody read him. Nietzsche was a great psychological critic.

"We were living at a time when there had been no wars within men’s memory, but here was a man who saw war coming, who wrote that the next century would be the most warlike of all. I felt that he was right."

But it was as a phenomenon that Nietzsche made the deepest impression on Jung.

He saw the non-ego at work in him; Nietzsche was in a fever, in a passion, a passion that "gripped" Jung.

He told how Nietzsche’s insights and visions had tremendous fascination to a person living at that time who thought about the contemporary situation.

"In his thirty-seventh year, Zarathustra happened to Nietzsche . . . ’cla ward die eins zu zwei, Zarathustra ging an mir vorbei.’ In 1888 he went mad. That was a tremendous event; it made a deep impression on me."

Bachofen also influenced him. "He influenced my understanding of the nature of symbols."

Jung thought that if the thesis were expanded, it might be a good idea to take his later writings more into con- sideration, especially Aion and Die Psychologie der CI bertragung.

These, he said, were the generalities.

Then he drew out a list, and we began going through the thesis point by point: "(it is not) that the uncon-

scious is held in common. . . ."Jung: "That is leaning over backwards. It is collective, is held in cdmmon. ’Collective’ may be objectionable in some
ways, but it does convey the fact that we share unconscious contents, that there is participation mystique."

"...Jung’s use of the term (unconscious) may partly be accounted for by the fact that he developed his thought while working under the influence of Sigmund Freud, and that he naturally adapted for his own system the terms with which he had been accustomed to working."

This is not true, Jung said. "I had these thoughts long before I came to Freud. Unconscious is an epistemologi- cal term deriving from von Hartmann. Freud was not much of a philosopher, he was strictly a medical man. I had read these philosophers
long before I ever saw Freud. I came to Freud for facts. I read The Interpretation of Dreams, and I thought Oh, here is a man who is not just theorizing away, here is a man who has got facts. This was not Freud’s first publication, but it was the first one I read, then I read the others. We met in 1906."

From the beginning, Jung said, he had occupied himself very much with zoology, with comparative zoology. Here he looked at me keenly to see if I took in the import of this statement.

When I responded, he went on with a gleam in his eye: "I was especially interested in palaeontology; you see, my life work in historical comparative psychology is like palaeontology. That is the study of the archetypes of the animals, and this is the study of the archetypes in the soul. The Eohippus is the archetype of the modern horse, the archetypes are like the fossil animals."

This led me to ask him what had first taken him into psychiatry.

"Oh," he said, "that was not until the very end of my medical studies. I had been acting as assistant to von Miller’, the internist, who had received a call to Germany, and he wanted to take me along. In my last semester, I was preparing for my final exams, and I also had to know something about psychiatry, so I took up Krafft-Ebing’s textbook on psychiatry. I read first the Introduction . . . and then it happened. Then it happened. I thought, this is it, this is the confluence of medicine and philosophy! This is what I have been looking for! They all thought I was crazy, they couldn’t understand me at all, they thought I was giving up the chance of a fine career to enter a blind alley of medicine! You see, my professors all knew that in internal medicine they had facts to work with, something to build on, and they saw a great future for it, but psychiatry, that was sort of a strange no man’s land tacked onto medicine, no one really knew anything. It was all up in the air, and it led nowhere."

I said that looking back now, his professors’ reaction was really not surprising because, before his and Freud’s work, psychiatry really didn’t have any solid foundation and no place much to go.

"Well, yes, that is so," he assented.

"But I knew absolutely that this was the thing for me; it came over me with the most tremendous rush. You know, my heart beat so"—he spoke with great emphasis and looked at me intently—"I could hardly stand it; I was in a regular state!"

And even at this distance in time he managed, by his voice and the forceful way he gestured, to convey some- thing to me of the intensity of this experience!

To me this was the high point of the interview—well, no, perhaps there was another one, which I’m coming to later—but at any rate it made the greatest possible impression on me to see how vividly he was able to reproduce

this event before the mind’s
eye; one could feel the sense of destiny, the nervous excitement that must have gripped him. ". . . term ’persona’ . . . derived from Etruscan, meaning mask."
Jung said the Latin word persona came from per sonare, to sound through, because masks had a sort of tube inside, from the actor’s mouth into the mouth of the mask, a built-in megaphone to amplify the sound so it would carry.

The mask came to be called persona after this megaphone. Not Etruscan.

"... the therapy of individuation ..." Jung: "Why therapy? It is not a therapy. Is it therapy when a cat becomes a cat? It is a natural process. Individuation is a natural process. It is what makes a tree turn into a tree; if it is interfered with, then it becomes sick and cannot function as a tree, but left to itself it develops into a tree. That is individuation."

I said I had always understood that individuation involved consciousness.

"Oh," he said, "that is an overvaluation of consciousness. Consciousness is a part of it, perhaps, yes, but that depends on how much consciousness there is naturally there. Consciousness can also block individuation by not allowing what is in the unconscious to develop."

He said it was therapy to restore the free flow from the unconscious, but the process itself is natural, and it will force itself meant to be an artist, but does something else, then pretty soon this development which is blocked will produce all kinds of symptoms, and in the end he will find himself painting whether he wants to or not, or else he will be very sick.

I asked him if it was what made a tree grow into a tree, if it was not the same thing as the Aristotelian entelechy, the inherent potentialities within the acorn which develop it into the oak.

He hesitated, and I had to say it again another way, but then he said it was the same thing. (I think his prejudice against Aristotle is so great that it made him unwilling to commit himself; probably because "Aristotelian" thinking within the Church produces such intellectual aridity and doctrinaire rigidity.)

I was still not quite sure I had understood aright, and I said it had always bothered me whether, say, a Hindu yogin or a primitive medicine man, a truly wise one, of course, could be considered to be individuated, since they were not "conscious" in our sense of what went on inside them.

"Well, I don’t know about that," he said. "They may not be conscious but they hear the inner voice, they act on it, they do not go against it—that is what counts. The primitive may not formulate it in the way you mean, but he has a pretty clear idea what goes on; I understand his language. When I go to him, we speak the same language."

"You know, it is possible to have ’consciousness’ in globo, so to speak, without its being differentiated."

It is on this that the Church bases the development of its dogma; otherwise we today would be in the posi- tion of knowing more than the apostles, since the dogma has been set down in the intervening centuries.

What has been defined and differentiated into dogma was present in globo in the inspiration of the apostles.

He repeated that individuation was a natural process; that "it can happen without consciousness."

These statements, and especially the decisiveness and assurance with which he made them, made a deep impression on me.

The part about how he came to specialize in psychiatry was the most exciting of the interview, because it is a moving thing to hear how a person received the "call," and because it opened up new perspectives for my own private research into his philosophical antecedents, the subject I had originally meant to write my thesis.

But this part held the most meaning for me.

The thought of this principium individuationis at work through all nature and through all mankind, East and West, has something awe inspiring and majestic about it.

I can’t explain exactly why it came as a revelation to me. I had previously had a slightly different perspective on it, with more of an accent on effort and less on nature and process.

That he knew so definitely what he was talking about gave me a direct intuition of the importance of "fact" and "experience" in psychology.

I could see that it was a fact that he was talking about, though it might escape definition, just as a tree is a fact.

A tree is not a bad analogy, because we do not understand how a tree functions either, how it raises up to its crown the huge volume of water that circulates in its system, for example, yet the tree is an indisputable fact, a natural process.

. . meaning of terms ‘introvert,’ ‘extravert’ depends on context of Jung’s theory of types, can only be grasped in terms of his total system . .." Jung’s comment here was that this was misleading; his terms are not deduced, they arise from the facts.

He feels that whatever application is made of his ideas, in fairness to him it should always be phrased so that this fact of cardinal importance is clear.

For the same reason he objects strenuously to the word "system"; he says he has no system, he deals with facts and attempts to construct hypotheses to cover them.

"System" sounds closed, dogmatic, rigid.

He wants the experimental, empirical, hypothetical nature of his work emphasized. As to the spelling of extravert, he says extrovert is bad Latin and should not be used. He also prefers archetype.

Paragraph on incest. Jung suggests looking up Die Psychologie der Ubertragung for a clearer view of the meaning of incest.

Paragraph as it stands is insufficient. (Immediately following the preceding sentence is a notation which is clear enough in itself, but which doesn’t seem to me now to have much connection with the incest paragraph.

However, I shall set it down here.)

"The archetype is the form of instinct, it is how the instinct appears to us; cf. Der Geist der Psychologie,’ Era- nos Jahrbuch 1946."

Jung went on to say that an example of what he meant was the story of King Albrecht and Johannes, later known as Johannes Parricida.

The king and his suite were riding from Zurich to Basel.

Johannes and some companions wished to murder the king, but they couldn’t seem to make up their minds to do the deed.

Johannes kept hesitating.

When they came to the ford over the Limmat, at Baden, then he did it, he murdered the king.

"That is the archetype; you see, the ford is the natural ambush, the place where the hero slays the dragon. Then suddenly Johannes found it in him to do the deed; the archetype was constellated."

". . . Jung considers the libido intensity of the anima to be so great that he refers to it as ’maim,’ that is, as having a miraculous quality." (Ref. to Two Essays.)°

Jung says he never could have said "miraculous" but ausserordentlich wirksam, i.e., effective, or even numinous. But not miraculous.". . . Jung’s concept of individuation . . . opens the possibility of new conceptions of the nature of Man."

Jung said to put "of the nature of the psyche. . as Jung uses the term ’consciousness,’ it signifies a part, a small part of consciousness in general."

Jung said this is unclear, should be a "part of the cognitive" or something like that. Consciousness simply is consciousness, not part of it.
"The representation collective refers to the condition in which there is a failure to distinguish between the individual and the group as a whole."

According to Jung, the above is participation mystique.

A representation collective is a generally held idea, like "democracy is the best form of government," which everyone accepts without questioning; a kind of basic premise which is simply assumed to be true, which nobody dreams of investigating.

All sorts of cultural and political slogans would come under this heading.

He went on to say that he had known Levy-Bruhl personally, that he had been Jung’s house guest in Kiisnacht.

Levy-Bruhl had had many good ideas, but contemporary sociologists and anthropologists had completely failed to understand him, had misunderstood his idea that primitives think a-logically, and especially the conception of participation mystique.

These attacks had rattled him so much that later he took a lot back, and in later editions dropped the "mystique" out of the term, but Jung has stuck to the formulation of the first edition because he thinks it accurately describes the facts.

In this connection, Jung told of having gone to hear a lecturer who attacked the concept of participation mys- tique, and who told an anecdote to illustrate the fact that natives distinguish perfectly between themselves and others, and
between persona and objects.

While the railroad from Mombasa to Nairobi was being built, a great deal of Native labor had to be employed, and the white engineers had the greatest trouble in getting them to work without constant supervision.

As soon as the engineer’s back was turned, they dropped their work. One man thought he would fix that.

He had a glass eye, and when he had to leave, he called the Natives together and said: "I am going, but I am leaving my eye to watch you," and he took the eye out and placed it on the table.

"You keep working, because this eye will see you if you stop."

When he returned he found to his consternation that nobody had worked. "We put a hat over your eye so it couldn’t see us loafing," the Natives told him.
Far from disproving Levy-Bruhl’s conception, as the lecturer thought, this anecdote backs it up: so little were the Natives able to separate the glass eye from its wearer that they went to the trouble to put a hat over it to prevent it from "seeing."

When Jung afterward wrote a polite letter to the speaker pointing out this fact, he received an irate reply, and the lecturer became his life-long enemy!

". . . Jung’s failure to be able to give an absolute definition of consciousness . • ." Jung commented: "How can consciousness explain itself ?"
"The ’collective representations’ by which society contains the individual, etc . . ." Again, it should be "participation mystique."
Jung reworded the sentence to read as follows:

"The participation mystique by which society contains the individual may be understood as a statement of the fact that individuals are still undifferentiated from each other, that is to say, they have not yet been self-consciously broken up into individual personalities."

"On this ’pre-conscious’ level, the individual contains him read: "On this ’pre-conscious’ level the individual is

unconscious of himself."

He said "within his own archetype" was misleadingly worded, that a clear distinction must be made between the archetype and archetypal images, which is how the archetype appears to us.

"The archetypes exist in the unconscious as undifferentiated symbols . . ."

Jung suggests rereading "Der Geist der Psychologie" (Eranos 1946): the archetypes are psychoeides, are noumena (not numina!).

Only the image is empirical, he said.

". . the individual in society may be understood as a piece of the archetype, a piece that has been differenti- ated out of the collective representation."

Jung: ". . . differentiated out of participation mystique, i.e., out of the collective unconscious."

He said, "The archetype of the individual is the Self. The Self is all embracing. God is a circle whose center is everywhere and whose circumference is nowhere."’

. symbol . . . in other areas it appears with metaphysical or ontological overtones where it leads into the philosophical side of his system."

Jung said if one studied the definitions of "symbol" in the Types’ one saw that it was not metaphysical.

(I think what he is getting at here and in other places is that he does not aim for a metaphysical overtone or for philosophical aspects. If we find such overtones it is because general usage has given some of the concepts he makes use of such overtones. He could, of course, have chosen entirely new terms, but I think he did not do so because he wants to redefine the traditional terms, show where they arise out of experience, and thus keep the tradition alive, but with a different foundation.)

"Only by the fact that (the libido analogue) comes from the collective suprapersonal layer of the unconscious is it able to function as a transformer of psychic energies . . ."

Jung said this was well-expressed and showed the correct understanding of what he means by "collective" in collective unconscious.

". . psychological problems of Western man . ." Jung said Protestantism also belongs in the context, i.e., pre-Christian paganism, Greco-Hebrew religiosity, and Protestantism.

This brought to my mind the reference to his Swiss Calvinist background, and I asked if it was correct. He said no, no touch of Calvinism.
The Reformation was introduced in Basel by Oecolampadius (in 1529), according to Jung the mildest of all the Reformers.

Important factors in keeping the Reform within bounds were the fact that the city was a bishop’s seat and that the university had been founded by Aeneas Silvius (Piccolomini) when he became Pope Pius II.

Of all Swiss Protestant cities, Basel has always had the most tolerance and understanding of Catholic ways, viz., the celebrated Basler Fastnacht.

Jung attributes his own attempts at a sympathetic understanding of Catholicism to this element in his back- ground.

. . when a culture becomes too highly rationalized .. .individuals are not able to experience the natural flow of unconscious materials."

Jung commented that symbols can lose their efficiency; they age.

"The result is a vacuum in the psyche between the upper and lower layers." Jung: "What should that be ?"
He seemed to think the idea ought to be worded differently. "The mechanisms of convention . . . keep people unconscious.

. . . (They) follow their customary runways without the effect of conscious choice."

Jung suggested saying "without bothering about conscious choice, without being confronted with the necessity of making up their minds."

"The lunatic is an individual completely overcome by the unconscious." Jung says it must read: "more or less overcome by the unconscious."
I pointed out that it appeared to be a direct quotation from his writings, but that didn’t bother him. He said in that case it must be incorrectly translated.
". . . (demons) involve the reactivation of archaic images stored in the unconscious from past historical eras ..
."

Jung corrected this to read "they are the archetypal images which are always in the unconscious." He commented in general that it is important to differentiate the terminology correctly.
,". . . Jung’s statement that the entire tradition of psychoanalysis—commencing with Freud and extending through his own work—has been possible only because Western civilization has been passing through a crisis in its deepest beliefs." (My italics.)

Jung says this must be taken much further back; the tradition begins with the German Romantics, comes down through Schopenhauer, Carus, etc., i.e., requires to be set in a larger historical perspective.

". . . Jung’s conception of consciousness . . . two levels of meaning: one as the totality of the psyche, that is to say, as cognition in general; . . . the other as the small segment of awareness that centers around the ego." (My italics.)

Jung said the first (italicized) part is wrong, only the second is correct. ". . contemporary situation ... searching for new religions, ... etc."

Jung asked to have the words "and moral" inserted into the latter part of the sentence, i.e., "the total ques- tioning of intellectual and moral values and the search throughout Western civilization for the meaning of life." Carl Jung, C.G. Jung Speaking; Interviews and Encounters, Pages 205-218

Carl Jung answers questions at the Oxford Congress




Introduction: The tenth International Medical Congress for Psychotherapy was held at Oxford from July 29 to August 2, 1938.

Jung presided, in his capacity as president of the International General Medical Society for Psychotherapy,’ which sponsored the Congress.

On August 1, at the request of a number of doctors at the Congress, Jung participated in a question-and-answer session, which was recorded in shorthand by Derek Kitchin.

The transcript has been in private hands and is published here for the first time.

Question 1. What is your view on the exact nature of psychic causation? Dr. Jung: That sounds very dangerous, but it is not so terrible.
It means really the question of causality versus finality.

It is a simple fact of logic that you can explain a sequence of events either from A to Z or from Z to A.

You may say that A is the big causa prima, the absolute causa efficiens from which depends the sequence as a sequence; or you can consider the Z as the final cause, which has an attractive effect upon the events which precede it.

This simply means that we take the sequence of events which we observe as a solid connection.

In itself it is not a solid connection at all.

The sequence of events has perhaps no connection whatever.

If we try to explain the sequence we have got to apply the idea that there is a connection.

We cannot help that: the idea of causation is a category of judgment a priori, and we cannot look at any se- quence of events without applying that category is not quite correct.

We might have said: “You cannot look at a sequence of events without applying the idea of connection." The idea of causality itself is a thoroughly magical idea.

We assume that this thing here, the causa prima, has a virtue, that of producing subsequent events.

So we make the same assumption about the final cause: that it has the virtue of attracting a series of events towards itself so that it appears to be the result, the goal, the aim.

That is mere assumption.

It is the way our mind deals with a sequence of events.

Now, as everywhere in natural science, and also in psychology and psychotherapy, we consider the sequence of psychic events as a connection, a solid sequence, that either begins with a prime cause or follows a final cause.

Both ways have been applied: the Freudian point of view is a strict causality point of view, and the Adlerian point of view is as strict a final-cause point of view.

I handle the case more skeptically.

I should say that if we have to apply the cause either way, we want to explain either way.

Any biological process has two aspects: you can explain it either from the beginning or from the end. You have "Either—or," or rather, "Either—and/or."
You have to say that it is surely in a way a causation, but the causa prima has a sort of magical effect.

At the same time, inasmuch as it is purposive, teleological, it is also directed by the final cause, or by the idea of the goal, or whatever you like to call it.

I take the whole question of causation as a problem of the theory of cognition.

Question 2. How would you define volition? What, in your view, is the relationship of the volitional process to the process of repression and inhibition?

Dr. Jung: That also is a very central problem.

It is of great interest to me that such questions should be asked at all.

I think it is very important.

I always hold that psychology is such a complicated chapter of human knowledge that those who deal with it should really have some philosophical preparation.

Medical psychology, surely, cannot stand alone.

This is a science much too big for our medical preparation. We medical people ought to take loans from other sciences.

For instance, we should have some knowledge of primitive psychology, of history, philosophy, and so on.

Many things with which we are grappling in our psychology could be simplified and made easier by knowledge that we have gained in other spheres.

Therefore we have a natural tendency to simplify and to create, at least for ourselves, a terminology which is generally understandable.

But I am thoroughly convinced that we shall not be able to evolve such a teminology from medical psychology alone.

That would always remain a sort of slang, a medical slang, and we have plenty of such slang already; I don’t advocate any further increase of that kind of thing.

I am also a strong adherent of the idea that our terminology should be correct.

We should not use hybrid words, or badly constructed Graeco-Latin terms; words of entirely wrong deriva- tion.

You know that the terminology in the field of medical psychology is still in the state of the old Babylonian con- fusion of tongues.

It really is so, as it is said in Green Pastures, that when the Lord heard those people cursing while they were building the tower of Babel he turned them all into foreigners and sent them all to Europe.

People speak different languages in Europe; they don’t do so in America.

This definition of volition: here I can only give you my own point of view, which is quite subjective.

It is a mere proposition, which I submit to further discussion.

I hold that this question ought to be settled with the help of primitive psychology.

Many of our difficulties would vanish if we had a better knowledge of primitive psychology. You know, perhaps, that I have done some work along that line.

I have been to primitive countries and I have done actual field work with primitives, in order to gain an imme- diate impression of the primitive mind.

I can assure you that what we call "will" or "volition" is a phenomenon that does not exist with primitives, or only in traces.

I will give you a very simple example.

Once I wanted to send a letter to a very distant station, about 120 kilometres from the place where we were.

The chief sent me a man, a runner, and I gave him my letter, and said, "Here is the letter, now you go down to the station."

The man simply stared at me as if he did not understand a word.

I spoke his language—that means, I spoke the pidgin Swahili; he understood it, but it did not reach him some- how.

I did not know what the matter was. I repeated, "Here is the letter, and now you go."

He went on staring at me as he had before, as if he did not understand a word, but he seemed willing.

I said, "That man is idiotic." In the meantime my headman, a Somali, came up and said, "You don’t do it in the right way."

He took a whip and began to dance up and down in front of that good native, and curse him up and down, and his ancestors and his children; and so that man began to wake up, wondering what great thing was in store for him: he heard that this here is the great white man who wants to send a letter to the other white man at the station, and that he should run in such and such a way; and then the messenger’s staff was brought, a cleftstick, and the letter was put into the cleavage, and that was handed to him, and then he was shown how he should run.

And during all that procedure that man’s face came up like the sun on Sunday morning; a large grin appeared, and he grasped it; then he went off, and in one stretch he ran that 120 kilometres.

That is a very simple example of how it ought to be done in many cases.

Every primitive needs the rite d’entree, which is what some people call the procedure about which I have told you.

This means that you must put his mind into the frame of doing, if you want something outside the ordinary.

Naturally, if it is something of his every-day, there is a certain adaptation, a certain attitude to it; but if he has to bring a letter somewhere, that is something else.

To us it is nothing extraordinary, but to him it is an extraordinary thing, and that thing needs a rite d’entree. Hunting is for many tribes not an ordinary affair, so they have a special rite d’entrie for hunting.

They work themselves up into the state of doing the special thing.

For instance, the Australian aborigines have a special routine for making a man angry, in order to get the idea into him that he should avenge a man who has been killed by another tribe.

It is done in a very elaborate way, the waking-up ceremonial.

I cannot go into details, but at the very moment when that man is thoroughly awake, you tell him that the man has been killed and that he ought to do something about it; and then the whole tribe wakes up and seeks the enemy.

If they find him, there will be a battle about it, but if they don’t find him, the excitement subsides, and every- one goes home as if nothing had happened.

This shows that the will was practically non-existent and that it needed all that ceremonial which you observe in primitive tribes to bring up something that is an equivalent of our word "decision."

Slowly through the ages we have acquired a certain amount of will power.

We could detach so much energy from the energy of nature, from the original unconsciousness, from the orig- inal flow of events, an amount of energy we could control.

We can say now, "I have made up my mind, I am going to do this and that,"with a certain amount of energy.

I cannot exceed that amount of energy; I have only a certain amount of will power.

So you say, when the task is too difficult or when there are too great inhibitions, "I cannot carry through my decision."

There are people who have a lot of will power at their disposal, and others who have very little.

Also, as you know, the education of children consists to a great extent of building up that volition, because it is not there to begin with.

We see them in extraordinary situations, these ancient rites d’entree.

All rites are in a way rites d’entree or rites de sortie, which are meant to get us out of a certain predicament.

One of the most striking examples of the rite de sortie is when a tribe has been making war on another tribe and a man has succeeded in killing somebody.

Then, of course, he is a great warrior; then he is all excited and he comes home. You would expect a wonderful reception.

Not at all; they catch him before he enters the village, the great, victorious hero, and they put him in a little but and they feed him on a vegetarian diet for a few months in order to get him out of his blood-thirst—which is a very recommendable thing!

Now, what we do, or what we decide, is not all willpower or volition, because we are acting a great deal on instinct, and instinct has no merit at all.

That is no moral decision; we are simply moved to do something, just as it happens. Instinctive reaction has the quality of "all or none."
It happens or it does not happen.

With the will it is an entirely different proposition.

The will, volition, is a moral action, and naturally it has a direct connection with repression and inhibition. You can repress instincts by your will, easily or, it may be, with great difficulty.

You cannot bring about so-called sublimation by means of instinct; that will not happen. But you can bring it about by volition.

Inhibition can be an absence of will; for instance, when you want to do something, you really wish it, but you cannot carry it out because your volition is inhibited; the energy is absent, it is taken away.

On the primitive level that phenomenon is a very frequent one; it is the loss of the soul; it has that quality.

There are many patients who will tell you that today they have no libido at all; or that suddenly, when they woke up in the morning, their libido had gone, or that at a certain moment during the day it had
vanished.

They have what the people in South America call "lost the gana."

It is a peculiar concept, and shows exactly what that is, I mean that loss. For instance, Argentine people play tennis; a ball jumps over the fence.
There is a little Indian girl outside, and the people inside ask her to throw the ball in. She sadly stares at the people and does nothing.
Then naturally they ask her, "Why don’t you throw the ball over the fence?" "I have no gana," no pleasure in doing it.

"I can’t do it, because I have no pleasure in it"; and then you can’t do it.

That, you see, is a primitive concept. Gana is what we would call libido, or energy, or volition. When gana is absent, that is an excellent motive.
For instance, when somebody asks you a favor, and you say, "I’m sorry, it doesn’t please me," or that you don’t like it, that is very impolite.

But in South America it is different. There people understand what it means when you say it doesn’t please you; that is enough.

You say, "I have no gana"; that counts.

There is also a social recognition of the extraordinarily important fact whether somebody is pleased to do something or not.

With us this apparently does not count at all. I am afraid that is a piece of primitive psychology. That is what we call an inhibition.

I should think it would be of a certain importance for our medical psychology if we could consider these primitive conditions a bit more.

Many things could then be explained in a way that would allow primitive psychology to come in without medi- cal knowledge.

Question 3. In what respect, if any, does the treatment of neurosis in the second half of life—that means af- ter thirty—differ from that in the first half of life?

Dr. Jung: This is also a question which you could discuss for several hours.

It is quite impossible for me to go into details; I only can give you a few hints.

The first half of life, which I reckon lasts for the first 35 or 36 years, is the time when the individual usually expands into the world.

It is just like an exploding celestial body, and the fragments travel out into space, covering ever greater distances.

So our mental horizon widens out, and our wishes and expectation, our ambition, our will to conquer the world and live, go on expanding, until you come to the middle of life.

A man who after forty years has not reached that position in life which he had dreamed of is easily the prey of disappointment.

Hence the extraordinary frequency of depressions after the fortieth year.

It is the decisive moment; and when you study the productivity of great artists—for instance, Nietzsche—you find that at the beginning of the second half of life their modes of creativeness often change.

For instance, Nietzsche began to write Zarathustra, which is his outstanding work, quite different from every- thing he did before and after, when he was between 37 and 38.

That is the critical time. In the second part of life you begin to question yourself.

Or rather, you don’t; you avoid such questions, but something in yourself asks them, and you do not like to hear that voice asking "What is the goal?"

And next, "Where are you going now?"

When you are young you think, when you get to a certain position, "This is the thing I want." The goal seems to be quite visible.

People think, "I am going to marry, and then I shall get into such and such a position, and then I shall make a lot of money, and then I don’t know what."

Suppose they have reached it; then comes another question: "And now what?

Are we really interested in going on like this forever, for ever doing the same thing, or are we looking for a goal as splendid or as fascinating as we had it before?"

Then the answer is: "Well, there is nothing ahead. What is there ahead?
Death is ahead."

That is disagreeable, you see; that is most disagreeable.

So it looks as if the second part of life has no goal whatever. Now you know the answer to that.

From time immemorial man has had the answer: "Well, death is a goal; we are looking forward, we are work- ing forward to a definite end."

The religions, you see, the great religions, are systems for preparing the second half of life for the end, the goal, of the second part of life.

Once, through the help of friends, I sent a questionnaire to people who did not know that I was the originator of the questionnaire.

I had been asked the question, "Why do people prefer to go to the doctor instead of to the priest for confession?"

Now I doubted whether it was really true that people prefer a doctor, and I wanted to know what the general public was going to say.

By chance that questionnaire came into the hands of a Chinaman, and his answer was, "When I am young I go to the doctor, and when I am old I go to the philosopher."

You see, that characterizes the difference: when you are young, you live expansively, you conquer the world; and when you grow old, you begin to reflect.

You naturally begin to think of what you have done.

There a moment comes, between 36 and 40—certain people take a bit longer—when perhaps, on an uninteresting Sunday morning, instead of going to church, you suddenly think, "Now what have I lived last year?" or something like that; and then it begins to dawn, and usually you catch your breath and don’t go on thinking because it is disagreeable.

Now, you see, there is a resistance against the widening out in the first part of life—that great sexual adventure.

When young people have resistance against risking their life, or against their social career, because it needs some concentration, some exertion, they are apt to get neurotic.

In the second part of life those people who funk the natural development of the mind—reflection, prepara- tion for the end—they get neurotic too.

Those are the neuroses of the second part of life.

When you speak of a repression of sexuality in the second part of life, you often have a repression of this, and these people are just as neurotic as those who resist life during the first part.

As a matter of fact it is the same people: first they don’t want to get into life, they are afraid to risk their life, to risk their health, perhaps, or their life for the sake of life, and in the second part of life they have no time.

So, you see, when I speak of the goal which marks the end of the second half of life, you get an idea of how far the treatment in the first half of life, and in the second halfi of life, must needs be different.

You get a problem to deal with which has not been talked of before. Therefore I strongly advocate schools for adult people.
You know, you were fabulously well prepared for life.

We have very decent schools, we have fine universities and that is all preparation for the expansion of life.

But where have you got the schools for adult people? for people who are 40, 45, about the second part of life?

Nothing.

That is taboo; you must not talk of it; it is not healthy.

And that is how they get into these nice climacteric neuroses and psychoses.

Question 4. Would you say that the attitude to be attained in the second half of life should be conceived as

one of the objective type rather than as one of sublimation? Dr. Jung: This is a profound and very ticklish question.

You see, in the first part of life it seems that sublimation is the thing indicated, and in the second part of life it seems that objectivity is indicated.

Now, what is sublimation?

This term has been taken from alchemy.

It is really an alchemical term, and when you understand it in that sense it does not evoke the psychological fact which we understand as sublimation.

Sublimation means that you don’t do what you really wish to do, and play the piano instead. That is nice, you see!

Or, instead of giving way to your terrible passions, you go to Sunday school. Then you say you have sublimated it—"it"!
It is, of course, an act of volition.

I don’t want to ridicule it at all, only sometimes it has a somewhat humorous aspect. Life, in spite of its misery, sometimes has an exceedingly humorous aspect.
And so those people who perform miracles of moral self-restraint occasionally look rather comical. It would be bad if this were not so; there would be no fun in life at all.

So even sublimation, which is a very useful and heroic thing, sometimes looks a bit funny; but it is never a se- rious thing, and it is certainly a way of dealing with the difficulties of life, all those difficulties that are forced upon us by our original nature.

We have a very unruly and passionate nature, perhaps, and we simply hurt ourselves if we live it in an uncon- trolled way.

Try to tell the truth.

We would like to tell the truth, I am sure. Nobody likes to lie if he is not forced to.
But just tell the truth for twenty-four hours and see what happens! In the end you can’t stand yourself any more.

So, you see, you can’t let go of all your ambitions; you can’t beat down every man who gets your goat; you can’t express your admiration to every pretty woman you see.

You must control yourself, after all, and that is also a considerable piece of sublimation.

Take swearing: you must not use this impossible language, and so, instead of saying something disagreeable, you say something agreeable, as you have learnt, and all that continues—ethics, self-repression, and sublimation.

And the worse your passions are, the more you must use this sublimation mechanism, otherwise you get into hot water.

And you don’t like that either.

Now surely the passions are likely to be worse in the first half of life than in the second.

There is a certain saying about the virtues of Solomon and David, who grew virtuous on account of their old age.

There is also a French saying: "Si jeunesse savait, si vieillesse pouvait!"

En fin, in the second half of life people have a chance to be more virtuous, somehow.

They don’t make enough use of that chance, and that comes from the fact that, unfortunately, they have learned more objectivity than sublimation.

They say, for instance, "Oh well, after all, it seems to be human nature that one has certain weaknesses"; so they begin to allow themselves certain weaknesses, and gradually, the more the passions
subside, the more you can yourself allow to side-step a little bit, to make little mistakes and to excuse yourself by saying it is not so terribly serious after all.

An elderly gentleman, of course, can allow himself to show some tenderness to a nice young girl.

Formerly he would have blushed; it would have been shocking; but now he can show his appreciation and everyone will say, "How nice and fatherly that is

Also, ladies of a certain age can allow themselves to have very liberal views, and to express such views, and among those are things which they never would have said before in younger age, because it would have been too shocking.

But when they are older one thinks, "That’s nice; that shows a certain experience of life"; and they are very free in the way in which they express themselves.

That is great objectivity; that is already the beginning of a certain philosophy that deals with facts as they are. It is perhaps a sort of disillusionment, or perhaps it is a sort of superiority gained through experience of life.

You know that your virtues are not going to increase very considerably any more. Even your virtues grow gray hair and become bald.
And so, what can you do?

You say, "Oh, that’s fine; you mustn’t expect too much."

And that is how we deal with ourselves in the second part of life.

I do not speak of how the analyst ought to deal with his patients.

There is an "ought," but there is a certain wisdom, and that belongs to the secrets of the art, which I shall not reveal here!

Question 5. Would you give us some hints with regard to religious experience? Is a so-called religious feeling a valid psychological experience?

Dr. Jung: Well, I understand this question in the following way. Is the religious experience a valid experience?
What is a valid experience?

For instance, if a dog bites me, is that a valid experience?

It is an experience; and if I have a religious experience, well, that is an experience too, and how shall I say that it is valid?

You might say, "Oh, you have an imagination, you have an illusion; you think that you had a religious experi- ence."

Well, that does not concern me. Perhaps it is an illusion; how do I know? There is no criterion.

I can only say, "I felt it like this."

Of course, you can draw conclusions, and so you can ask, "Are the conclusions you draw from it valid?"

For instance, you can draw the conclusion that you have an experience of your patron saint, who has appeared to you, or you have seen the Mother of God, or something like that.

Then you can ask, "Is that valid? Is that interpretation valid?" You know how divided opinions are.
Opinions are geographically rather different.

For instance, a vision with us will be interpreted in terms of traditional Christianity; several hundred miles more South, in terms of Islamic mentality, and a little bit more East, it will be something else again; and sometimes there is a considerable difference in the interpretation of such experiences, but the experiences themselves are always valid—because they exist.

For instance, is it a valid fact that there are elephants?

You cannot even say that elephants are needed; you only can say they exist.

And so with such experiences.

The moment a man says, "I had a religious experience," you can only say, "Well, you had a religious experi- ence."

You can hold all sorts of views about it.

You can say, "Oh, that was merely because your stomach was not all right, or you have slept badly." But that is merely explaining away the fact that he had such an experience.

Of course you can say, "Well, that may be quite pathological."

And in that case you must go to the Encyclopaedia Britannica and look up that kind of experience. All human experiences, you know, are registered in the Encyclopaedia Britannica!

And then you will be taught whether there was that experience, and of what kind.

But it may be that it is not contained in the Encyclopaedia Britannica, and in that case you can say, "Well, I have never heard of such an experience; I don’t know what it is," and you have got to explain it to yourself somehow.

But, generally speaking, religious experience is something we are fairly well acquainted with.

We have the history of religions; we have innumerable texts which inform us about the forms of religious ex- perience.

So we know it is a universal phenomenon, and if it is absent, then we are confronted with an abnormal case.

If somebody should say, "I don’t know what a religious experience is," then I say that something is lacking, be- cause the whole world has at times religious experience, and you must have lost it somewhere
if you don’t know what it is.

ou are not in a normal frame of mind. There is some trouble.

When that is the case, we know that some other type of psychological function is exaggerated through the ad- mixture of the energy which should normally be in a religious experience.

When you look at the life of a primitive tribe, as long as its religious life is well organized, things are in or- der.

Now let a missionary come in, who can sense nothing of primitive religions and simply says, "This is all wrong," and then you see how the religious life of the tribe begins to disintegrate.

This is one of the most extraordinary phenomena.

Then people become greedy, they become fresh; then a mission boy steps up to me and says, "I’m a brother

of yours, I’m just as good as you are, I know of those fellows Johnny, Marki, and Luki, all the bunch of them." That’s how they talk.
For years they sing a hymn in which there is a word meaning "hope," or "confidence."

A missionary who listened to that hymn didn’t know the accentuation of that word properly: If you put the accent on the last syllable it means "hope," and if you put it on the first, it means "locust."

So they sang, "Jesus is our locust," and that went quite well, because the locust is a religious figure in Africa.

So it meant something to them: "Jesus is a locust."
But it would have meant precious little to them to sing, "Jesus is our hope and confidence."

Even the highest people to whom I talked were quite unable to understand the elements of the Christian reli- gion.

How could they?

I have not found one mission boy in Africa who could have understood the elements of the Christian faith or what it is all about.

The Pueblo Indians told me, "Oh, it is very nice what the priest is doing; he comes along every second month, and when we bury our dead he does very interesting things with them, but then we do the Indian medicine afterwards."

You see, they always wrap up the dead twice, first according to the Christian rite and afterwards according to the Indian rite, and then it is finished.

The same with birth; in Indian families everything is done twice. I said, "That’s very nice, but do you know about Jesus?"

And they say, "Oh yes, we know about Jesu, and the priest often talks with a man he calls Jesu."

And I say, "What about the man?" and they say, "Oh, we don’t know; we don’t understand what he is all about."

And they are highly civilized people, philosophical people, even. The man who talked like that to me was a philosopher.
He was very critical, he had an excellent psychology.

He said, "Look at the white man’s face: sharp lines, disappointed nose; and these Americans are always seeking something.
We don’t know what they are seeking; we think they are all crazy." He made the right diagnosis!

Don’t be too triumphant; it isn’t only the Americans; it is the white man. And he felt it.

It was the first time I got a really objective line on the white man. I saw suddenly with his eyes. Such people understand nothing of the Christian religion, what it really is.

If you break up a tribe, they lose their religious ideas, the treasure of their old tradition, and they feel out of form completely.

They lose their raison d’etre, they grow hopeless.

That medicine man, with tears in his eyes, said, "We have no dreams any more." "Since when?" "Oh, since the British are in the country."

They are entirely depossessed, all the meaning goes out of their life; it does not make sense any more because we infect them with our insanity.

Because it is an insanity: we have lost the religious order of life.

That is my idea, and that is the point at which I will come to a conclusion. Carl Jung, C.G. Jung Speaking: Interviews and Encounters, Pages 99-113